This is not always the case in the design of all fonts, especially less modern designs. I used consistent stem distances, accurate group height alignments and zero tolerances for straight strokes and point alignments. Trebuchet is a sans serif typeface with modern geometric features. Starting with outlines I created for a previous project, which was an unreleased grotesque style design. Trebuchet was a project intended to be a clean screen reading font, as well as a scalable printing outline font.Īfter working through drawings and individual images, I started the outlines using Macromedia Fontographer 4.1 for the Macintosh. The current TrueType production process is split: with the design and hinting process done on a Macintosh, and the testing of the font file on Windows. Always keep in mind that if you start with bad outlines, you can't improve them later. An example of a problem is if, a glyph is suppose to be on the baseline and it is not or if a stem is suppose to be exactly straight and it is not, extra hints would be needed to make them correct. A higher quality process is necessary to prepare a font file for hinting to insure that the minimum amounts of instructions are used in the final font file. Often designers mark béziers without paying attention to how exact the bézier point markings are positioned. Acceptable print quality can be achieved with a bézier font program without the use of standardized marking procedures required by professional type foundries. Many typefaces are drawn with bézier drawing programs or commercial bézier based font programs and made into PostScript font files. Today two of the most common ways typefaces have been stored as sources are in an Ikarus or a PostScript format. There's inheritance - it's 11 pts because its parent is 11 pts.In this article Preparing a Typeface for TrueTypeĪll typefaces and font sources need to be prepared before a TrueType hinting project can be started. When I change the base style, text formatted using Asset Title changes. There's no inheritance - it's just 11 pts.Īfter editing docname.docx\word\styles.xml ( without linearizing!) to remove we see inheritance has been restored - the font size control is empty, which is Word's way of telling us the value is inherited. When I change the base style, text formatted using Asset Title doesn't change. That's the same value as the base style, and was set using the BaseStyle approach, but it's the same as manually setting it to 11. In the UI, we see the font size is 11 pts. Manual removal of from the XML restored inheritance. That's explicit setting to the value of the base style. BaseStyle macro above, it is explicitly set to 11 pts in the XML: Its base style has 11 pt text Īfter a manual change to 8 pts the XML appears as such:Īfter use of the. I haz a sad.įrom an XML perspective, style grrr has w:color set to green. Run the macro and C1 is set back to Calibri 11 pt black - not blank (inherited)! Change LN2 and C1 stays Calibri 11 pt black - not LN2's font and size. Change to Arial 10 and it's now forever an explicit value. Open C1 and you see its font & size are blank. The values are explicitly set to the values of the base style, BUT not to inherit.Įxample: Char style C1 is based on the defaults of para style List Number 2. Setting the value to the BaseStyle value is a one-time fix, not something that restores inheritance. TL DR: Edit the XML definition of the style.
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